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1.
€ 175,00
EAN-13: 9780905203737
N. Büttner
Genre Scenes
Edizione:Brepols Publishers, 2019
Collana:Corpus Rubenianum Ludwig Burchard

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Indicativamente procurabile in 15-20 giorni lavorativi
Info disponibilitàRifornimento in corso
Prezzo di acquisto€ 175,00
DescrizioneThis volume catalogues the paintings and drawings that Ludwig Burchard (1886?1960) gathered under the heading ?Genre Scenes? when planning his catalogue raisonné of Rubens?s oeuvre. Not that Rubens has ever been thought of as a genre painter in the conventional sense of the term. Besides, even the individual works assembled here do not accord with the customary definitions of genre painting, a category of subject-matter that was introduced relatively late in the history of art. The famous Garden of Love in the Prado, for example, with its fluttering amoretti, is more accurately described as an allegory. Even the picture in the Louvre frequently referred to as the Kermesse clearly does not reproduce an actual kermis or any other such event as witnessed by the artist, but is a fictional construct in which precisely observed details are designed to convey a message that is more symbolic than realistic in content. Yet no history of genre painting can fail to include Rubens. His pictures occupy a firm place in the relevant section of any imaginary museum of European art, whatever strictures the guides to that museum may apply. The works discussed in this volume belong to the most famous creations of the painter. They are also among the most personal of his inventions. Most of them were never sold by Rubens, but remained in his possession, a circumstance that suggests they should be viewed as a particular artistic legacy. That is not to say that they did not offer contemporaries a wide range of possible interpretations unconnected with the artist?s own life. For a historically appropriate interpretation it is essential to examine closely not only the artistic process of creation, but also the former contexts of the pictures. Establishing the most complete provenance possible not only for the primary version of a composition but for all the various copies plays an important part in this process.

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2.
€ 280,00
EAN-13: 9781912554119
N. Büttner
Allegories and Subjects from Literature
Edizione:Brepols Publishers, 2018
Collana:Corpus Rubenianum Ludwig Burchard

Tempi di rifornimento

Indicativamente procurabile in 15-20 giorni lavorativi
Info disponibilitàRifornimento in corso
Prezzo di acquisto€ 280,00
DescrizioneRubens had a profound impact on the visual culture of his age. He was admired not only as a painter but also for his learning, for the knowledge of classical literature and imagery which he exploited so brilliantly in arresting and powerful pictures. Rubens was particularly drawn to allegory, to the use of personified figures, sometimes in combination with the gods of the ancient pantheon and certain humans (historical individuals), to express concepts, ideals and even political messages. A contemporary praised him for using in his allegorical compositions ?only symbols of Antiquity, thus popularising the coins and other monuments of the ancient world', but Rubens adapted ancient symbolism to new effect, with the aim of creating pictures whose essential meaning would be the more accessible for it.This volume presents works that Ludwig Burchard (1886?1960) planned to include in his catalogue raisonné under the heading ?Allegories and Subjects from Literature?. It features some of the artist?s most celebrated paintings, as well as some lesser-known or recently discovered items. The themes range from nature?s abundance to the dangers of excess, from human love to political expediency, triumph and the celebration of religion. It includes masterpieces as diverse in tone as the Shivering Venus (Antwerp, Koninklijk Museum voor Schone Kunsten) and the Horrors of War (Florence, Palazzo Pitti), memorably described by a great historian as ?the immortal and unforgettable frontispiece to the Thirty Years? War?. As well as an introduction to the subject, the catalogue provides extensive analyses of each work, revealing Rubens? literary and visual references. The circumstances surrounding the making and display of every item are investigated and considered alongside the artist?s own creative process, since knowledge of the intended context and the early viewing conditions of Rubens? works is so important to the understanding of their significance. Thus particular attention is paid to provenance, not only for the works themselves, but for the copies made after them.

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